Hilary Davidson is a dress, textiles and fashion historian and curator. Her work encompasses making and knowing, things and theory, with an extraordinary understanding of how historic clothing objects come to be and how they function in culture.
After dropping out of high school to pursue her interests through global travel, Hilary trained as a bespoke shoemaker in her native Australia before completing a Masters in the History of Textiles and Dress at Winchester School of Art (University of Southampton) in 2004. Since graduating, Hilary’s practice has concerned the relationship between theoretical and highly material approaches
to dress history, especially in the early modern and medieval periods. As a skilled and meticulous handsewer, she has created replica clothing projects for a number of museums, including a ground-breaking replication of Jane Austen’s pelisse. At the same time she lectured extensively on fashion history, theory and culture, on semiotics, and cultural mythologies, especially red shoes.
In 2007 Hilary became curator of fashion and decorative arts at the Museum of London. She contributed to the £20 million permanent gallery redevelopment opening in 2010, and curated an exhibition on pirates, while continuing to publish, teach and lecture in the UK and internationally. In collaboration with Museum of London Archaeology, Hilary began analysing archaeological textiles and continues to cross disciplines by consulting in this area in England and Australia. She also worked on the AHRC 5-star rated Early Modern Dress and Textiles Network (2007-2009) and from 2011 has appeared as an expert on a number of BBC historical television programmes, and as a frequent radio guest speaker in London and Sydney.
From 2012 Hilary worked between Sydney and London as a freelance curator, historian, broadcaster, teacher, lecturer, consultant and designer, while working on a PhD in Archaeology at La Trobe University, Melbourne. In addition to historical studies she has been a jewellery designer, graphic designer, photographer, gallerist, and worked in retail fashion and vintage clothing. In 2022 she moved to New York City to take up the role of Associate Professor and Chair of the MA Fashion and Textile Studies: History, Theory, Museum Practice at the Fashion Institute of Technology.
Hilary has taught and lectured extensively, including at the University of Southampton, Central St Martins, the University of Cambridge, the University of Glasgow, New York University London, The American University Paris, Fashion Design Studio TAFE Sydney and the National Institute of Dramatic Art (NIDA), Sydney. She speaks regularly at academic conferences and to the public. Her first monograph book was Dress in the Age of Jane Austen (2019) followed by Jane Austen’s Wardrobe in 2023. Her extensive publications can be found on Academia, ResearchGate and in relevant website scetions.
Additionally, Hilary is an Honorary Associate, School of Arts, Letters and Media, at the University of Sydney, a consultant in historic textiles for the Oxford English Dictionary, a Freeman of the City of London and member of the Company of Arts Scholars, Dealers and Collectors.